We have many new workflows coming to coincide with the release of some new apps that will solve a lot of the Final Cut Pro bottlenecks (such as the Image Well Startpoint issue)
There are currently two primary workflows our customers tend to use.
1. Pair into side by side, over/under, etc using nesting and then edit with the paired sub-sequences.
2. Edit just one eye. Duplicate and conform the locked cut for the right eye. Send to Motion and 3D master using the plugin. (Motion doesn’t have the image well problem like FCP does.)
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