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- DASHWOOD UPDATES AND EXPANDS THE STEREO3D CAT PRODUCT LINE
- DASHWOOD ANNOUNCES NATIVE HARDWARE SUPPORT IN STEREO3D CAT FOR BLACKMAGIC DESIGN’S ULTRASTUDIO 3D AND DECKLINK EXTREME 3D DEVICES
- Groundbreaking 3D Calibration and Analysis System is Released
- 3DTV interview with Tim Dashwood
- Stereo3D CAT wins 2011 Vidy Award
- LE 3D Editing Software Reviewed
- Stereo3D Toolbox 3.0 adds real-time playback
- 3D Pavilion: Systems, Services, Solutions
- Dashwood Unveils Breakthrough 3D Production System: Stereo3D CAT
- Dashwood Cinema Solutions to Debut Ground-Breaking 3D Technology Product Line Up at NAB 2011
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- The 3D Toolbox
- Stereo3D Toolbox v2.0.1 update now available
- FxFactory Partner Dashwood Cinema Solutions Sets 3D Milestone
- “The Only 3D Software You Need”
- A Beginner’s Guide to Shooting Stereoscopic 3D
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Article Archive
Monthly Archives: September 2011
Groundbreaking 3D Calibration and Analysis System is Released
Award-winning Dashwood Stereo3D CAT™ delivers lightning-fast live depth
analysis tools and disparity/alignment tracker for 3D camera calibration
Toronto, Canada – September 14, 2011 – Dashwood Cinema Solutions developer of cutting-edge Mac®-based stereoscopic 3D (S3D) products, is pleased to announce the availability of the award-winning on-set calibration and analysis system – Stereo3D CAT™. Introduced at NAB 2011, Stereo3D CAT won “Best in Show” for its abilities to simplify stereoscopic 3D camera calibration and monitoring. 3D production and rental facility, 21st Century 3D, is one of the first power production operations to add Stereo3D CAT into their arsenal. “With the recent proliferation of stereoscopic 3D live action production, we have seen many newcomers charging into the field,” comments Jason Goodman, CEO, 21st Century 3D. “Stereo3D CAT gives experts and novices alike the tools they require to empirically analyze their stereoscopic 3D images and eliminate guesswork in aligning 3D beam splitter rigs like the 21st Century 3D BX3.5. Stereo3D CAT demystifies many of the greatest challenges of shooting 3D, while simultaneously commoditizing the formerly expensive process of digital stereoscopic image analysis and reporting.” (more…)
